I am going to decorate the lamp design with geometric pattern using the haemoglobin molecules as a guide, but first im going to put some research and information here about it,
A geometric shape is the geometric information which remains when location, scale, orientation and reflection are removed from the description of a geometric object. That is, the result of moving a shape around, enlarging it, rotating it, or reflecting it in a mirror is the same shape as the original, and not a distinct shape. Objects that have the same shape as each other are said to be similar. Many two-dimensional geometric shapes can be defined by a set of points or vertices and lines connecting the points in a closed chain, as well as the resulting interior points. Such shapes are called polygons and include triangles, squares, and pentagons. Other shapes may be bounded by curves such as the circle or the ellipse. Many three-dimensional geometric shapes can be defined by a set of vertices, lines connecting the vertices, and two-dimensional faces enclosed by those lines, as well as the resulting interior points. Such shapes are called polyhedrons and include cubes as well as pyramids such as tetrahedrons. Other three-dimensional shapes may be bounded by curved surfaces, such as the ellipsoid and the sphere. A shape is said to be convex if all of the points on a line segment between any two of its points are also part of the shape.
(Wikipedia)
Geometry and the golden ratio in art, architecture and design are frequently used as a way to perceive aesthetically pleasing structures rather than as a principle to further develop visual coherence and as a basis for rational decisions in the design process. The aim of this paper is to demonstrate how geometric relationships can be applied to the product design process. It will also investigate how geometric relationships can provide effective design rules which can be practical and directly applicable in design. Geometry workshops were carried out in the Creativity Zone at the University of Brighton and in the Design Studio at the University of Sussex between 2011 and 2012. During the workshops three hypotheses have been tested on product design students to investigate how design practitioners perceive geometry and how the golden ratio in designs may be utilised to recognise harmonious geometry.
(design society)
a lot of my product is going to be based around most of what is said above, I think by using the simple yet elegant techniques of geometry I can develop and interesting product.